The new 31,000-square-foot (1,200 capacity) sanctuary of Watkinsville First Baptist Church (WFBC, located in Watkinsville, GA) has been equipped with a DiGiCo SD12 96 console to mix house sound and which, in turn, feeds a KLANG:fabrik in-ear monitor mixing system for the contemporary band, its vocalists, and pastors.
The KLANG and DiGiCo gear was purchased through and integrated by Spectrum Sound of Nashville, which also installed d&b loudspeakers as part of the system. “The KLANG:fabrik is just amazing,” says WFBC Production Director Matt Hellems, who often mixes house sound for the church’s two Sunday services. “We run it as kind of a hybrid; it’s not a separate console or worksurface, but we’re also not using the auxes on the SD12. Instead, we take a split from the console and send that over Dante to two KLANG:fabrik units onstage, where we have 10 channels of Shure PSM 1000 in-ears. The musicians download the app, we give them the password, and everything’s ready to go. It’s totally plug and play, and they all love it.”
WFBC Worship Pastor Jason Dominey notes the user friendliness of KLANG:fabrik: “I feel like its target market is people who are not audio engineers because everyone can easily build the mixes they want for themselves onstage,” he explains, adding that this both makes the musicians and vocalists feel more empowered about their sound and performance, and takes the onus of mixing monitors off of the FOH engineer while also eliminating a second console for monitors. “Before, that is the way we did it—separate consoles for front-of-house and monitors—and we still have those consoles in other parts of the campus. But the KLANG:fabrik and SD12 represent a ‘next step’ for us in terms of audio. I remember the first time I heard a demo of the KLANG system and I thought, ‘This is fantastic,’ especially for any church or organization that has to rely to some extent on volunteers to run their systems.”
Hellems says that he looks forward to applying KLANG to a wider range of uses, such as Christmas and Easter celebrations, local school graduations, music concerts, and other special events that had been curtailed there by the pandemic. “I know the immersive aspect of the KLANG:fabrik monitoring brings a new kind of experience to musicians and singers onstage, and I believe that’s going to make the experience of hearing them play even more enjoyable—both for them and our audiences.”