Church Audio in the Era of Live Streaming

by | Audio, CFX Online, Production, Streaming

Acclaimed live sound engineer Jeff Sandtrom (Chris Tomlin, Passion Conferences, MxU) and audio specialist Jeremiah Clever (Waves Audio) talk about the challenges of delivering superior sound for live streamed worship services. Jeff and Jeremiah will look at the latest solutions for superior quality in worship broadcast and live sound, including the innovative Waves eMotion LV1 live mixer.

This training is shared as content from our CFX 2020 Virtual Event. You can experience the same quality of content as this at CFX 2021.

Meet Jeff Sandstrom:

Jeff Sandstrom is a music producer and audio engineer with many years of experience. He’s worked shows for many Christian artists and shows, including Chris Tomlin, Passion City Church and the Passion Conferences.

Meet Jeremiah Clever:

Jeremiah Clever is the Live Sound Product Specialist for Waves Audio. He also does Audio Post-Production and is the Broadcast Supervisor for Elevation Church.

Sign Up for the Worship Facility Newsletter!

NEW THIS WEEK

Mix Smarter, Not Harder: The Value of Using Presets

While browsing a church audio forum, I came across a discussion where a user was seeking help in creating a vocal EQ preset. Several participants offered practical and specific EQ examples, while others strongly cautioned against using presets altogether. Their...

Peavey® Celebrates Its Diamond Jubilee!

Peavey® Electronics is celebrating its 60th anniversary! Six decades is a milestone for any business, but in the manufacturing of musical instruments and audio equipment, it is truly extraordinary. Six decades under one man’s leadership is on a whole other...

Harrison Audio Launch D510 500 Series System

Harrison Audio announces its new D510 500 Series System featuring ten-slot ‘D510r’ rack, alongside optional ‘D510mx’ 10x2 analog summing mixer, ‘D510Dante’ AoIP interface, and forthcoming ‘D510usb’ USB-audio and ADAT interface cards, providing an unparalleled and...

My Love-Hate Relationship with the De-esser

I don’t remember ever using a de-esser in the early days of my recording career. Sure, there were a few clever engineers who would side-chain a compressor to tame certain frequency ranges, but that was rare and not always used on vocals. If a vocal was harsh or overly...