Waves Audio he world-leading developer of audio mixing solutions, offers its new fully integrated live mixing console: eMotion LV1 Classic. With 64 stereo channels and 44 stereo buses of industry-leading sound, intuitive workflow, 16 onboard Waves Signature Preamps,...
Lots of questions seem to be coming in regarding stage volume and audio clarity. The fact of the matter is that most of the time, a band that is too loud onstage often sounds distracting compared to one that makes a conscientious effort to monitor their stage volume....
An accordion player, a banjo player, and a trombone player finally got a paying gig at a small bar on New Year’s Eve. To everyone’s surprise, the trio was a hit! The crowd loved the show, and at the end of the night, the pub owner said, “We’d love to book you again...
When the DiGiCo Quantum338 made its official 3:38pm launch at the 2020 NAMM Show, the crowd that was there to witness the console’s unveiling was unprecedented, with hundreds of curious onlookers gathered around the company’s booth. Since then, that product has gone...
Recently I polled a number of church production forums with the question: Who uses the scene function on your digital audio consoles, versus those who mix their entire service manually? For the uninitiated, scenes, (also called snapshots by some manufacturers) are...
Your church sound system's audio console provides your audio inputs and outputs, microphone amplification, routing, and more. To find out which would be best for you, you first need to consider how many inputs you're going to need. Are you mixing just a single...
Welcome back everyone, this month's question comes from Dominic in Syracuse, NY, he asks "As the new tech team member on our tech team, I seem to be struggling with feedback, please help me understand it". Feedback can easily ruin the mood of a worship service – here...
Join Worship Facility editor Gene Lass and audio engineer and lead instructor for Church Sound University Samantha Potter in a discussion of how to choose the audio console your church really needs, train your production crew in its use, and get the most out of it for...
When you’re putting together a sound system for your church, one of the first things you need to look at is a mixer. After all, your entire system revolves around it! It provides your audio inputs and outputs, microphone amplification, routing, and more. So where do...
New worship space equipped with a 64-channel Avantis console for front of house and a 48-channel SQ-6 console for monitors, with I/O provided by a pair of DX168 audio expanders
Eagle Brook Church’s Ham Lake location “makes the leap” into the future with the next generation of DiGiCo processing with the very first Dante-specific DiGiCo DQ-Rack & console
Large-scale house of worship completely updates its audio management with three Q7 desks at its main campus and one more for its satellite location
Sa-Rang Community Church in Anaheim deploys L200 mixing console, citing routing flexibility for both broadcast and front-of-house mixing tasks
The new system to support the church’s addition of contemporary services incorporates a Live L350 digital desk to handle front-of-house, monitors and a broadcast streaming mix.
With a congregation of 30,000, one Dallas church scales their infrastructure to include three Live L550 consoles, leveraging Dante network capabilities.
Dream City Church in Phoenix deploys dLive consoles ranging from compact C1500 to S7000 – joined by Avantis – as the hub of its multifaceted production.
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