RED & SKAARHOJ Bring Cinema Imagery to Broadcast Environments

by | News, Production, Streaming, Video

On Tuesday, December 14th, 2022, RED Digital Cinema and SKAARHOJ hosted a live webinar discussing their recent successful efforts in fully integrating the RED KOMODO 6K and V-RAPTOR 8K cinema cameras with SKAARHOJ’S universal RCPs. Hosts Kasper Skarhoj (SKAARHOJ) and James Lucarelli (RED) walked viewers through the two systems working seamlessly in broadcast environments and showcased a recent large integration at Saddleback Church, where 12 of the KOMODO cameras were set up with 10 SKAARHOJ RCP2 switchers in a fiber-backed network to support the Saddelback team in their efforts to continue raising the quality of their live broadcasted content. James and Kasper use this example, and others, to add more context and details to how users can directly control, and even color share their KOMODO or V-RAPTOR cameras from anywhere in the world using one of the SKAARHOJ Universal Controllers.

You can watch the replay of the livestream here.

Contact Matthew.Carman@red.com for questions and inquiries about RED cinema cameras and other products, and contact grant@skaarhoj.com for questions about their universal controllers or any other Skaarhoj products.

Sign Up for the Worship Facility Newsletter!

NEW THIS WEEK

Mix Smarter, Not Harder: The Value of Using Presets

While browsing a church audio forum, I came across a discussion where a user was seeking help in creating a vocal EQ preset. Several participants offered practical and specific EQ examples, while others strongly cautioned against using presets altogether. Their...

Peavey® Celebrates Its Diamond Jubilee!

Peavey® Electronics is celebrating its 60th anniversary! Six decades is a milestone for any business, but in the manufacturing of musical instruments and audio equipment, it is truly extraordinary. Six decades under one man’s leadership is on a whole other...

Harrison Audio Launch D510 500 Series System

Harrison Audio announces its new D510 500 Series System featuring ten-slot ‘D510r’ rack, alongside optional ‘D510mx’ 10x2 analog summing mixer, ‘D510Dante’ AoIP interface, and forthcoming ‘D510usb’ USB-audio and ADAT interface cards, providing an unparalleled and...

My Love-Hate Relationship with the De-esser

I don’t remember ever using a de-esser in the early days of my recording career. Sure, there were a few clever engineers who would side-chain a compressor to tame certain frequency ranges, but that was rare and not always used on vocals. If a vocal was harsh or overly...