When it comes to using in-ear monitors, there are two camps of thought – those who like them and those who don’t. Either way, many musicians will be confronted with the prospect of having to use in-ear monitors (IEMs) at some point. For example, a venue that requires the volume threshold to be kept under a certain dB level. Many houses of worship fall into this category.
How many of us wait to address an issue until there is visible proof of a problem? If I could guess, I would assume most of us. Sometimes we pretend we don’t see an issue to save money refuse to be hassled by the problem, or have a “if it ain’t broke, don’t fix it”...
Without Walls, a dynamic church located in Mesa, Arizona with a growing digital congregation and significant online presence, has selected DigitalGlue’s creative.space to store and manage its increasing content library. creative.space, an intuitive and powerful...
From March 5 to 8, MEGA-LITE proudly participated in the USITT Expo 2025. This marks the fifth time the company has joined this premier event, which brings together the performing arts design and technology communities. The expo fosters dynamic conversations among...
Studio Technologies, manufacturer of high-quality audio, video, and fiber-optic solutions, announces its Model 201 Interpreter’s Console is now shipping worldwide. The Model 201, which will be on display at NAB 2025 (Booth N2672), is a...
lGlensound, a leader in high-quality audio systems, is bringing yet more innovation to NAB Show 2025 (Booth N2270, Las Vegas Convention Center, 6-9 April). Well-known for its commentator units and intercoms, widely used by broadcasters in the US and around the world,...
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